This is a study of how an oil painting is constructed. This particular exercise was about the fall of light, so our model had quite a harsh light directly above her left shoulder, which cast interesting shadows over her body. We also had a different model for the second half of the exercise, painted over a full term of 8 weeks at ACSA (Adelaide Central School of Art), which is evident in the slight change of body structure. I chose not to include the head knowing that this change was going to occur. Firstly we begin with a charcoal sketch on paper which is then transferred onto the canvas via a grid method. The second stage is the Grisaille (or underpainting) which is where I sometimes feel my paintings are at their best, because they are quick brush strokes with not too much detail applied. The final painting is created in the Alla prima style; directly applied paint rather than building up the layers.
Note: I acknowledge that this was created during the life painting second year class, with tutor Rod Gutteridge from Adelaide Central School of Art.
One thought on “The fall of light”
So good Barbara…!!!